A few examples of appraisal values for
GERONIMO

• FARRELL COCKRUM (NEW MEXICO) NAPI DELEGATIONFramed
  FARRELL COCKRUM (NEW MEXICO) NAPI DELEGATIONFramed acrylic on canvas painting, Napi Delegation, signed lower left Farrell Cockrum (Blackfoot, New Mexico, 20th/ 21st c.), dated 1994, sight: approx 48"h, 48"w, overall: approx 49.25"h, 49.25"w, 8.5lbs **Note: This composition was inspired by the 1905 photograph taken at the Miller brothers’ 101 Ranch of Geronimo in a Locomobile Model C**
• (10) COLLECTION OF TEXANA BOOKS, J.
  (10) COLLECTION OF TEXANA BOOKS, J. FRANK DOBE(lot of 10) Collection of Texana books: (1) "On the Bloody Trail of Geronimo," Lt. John Bigelow Jr, Westernlore Press, 1986, 237 pages; (1) "The Longhorns," J. Frank Dobie, University of Texas Press, 1985, 388 pages; (1) "A Vaquero of the Brush Country," J. Frank Dobie, University of Texas Press, 1981, 302 pages; (1) "Jeff Davis's Own," James R. Arnold, 2007, Castle Books, 378 pages; (1) "Singers and Storytellers," Texas Folklore Society, Southern Methodist University Press, 1961, 298 pages; (1) "Will's War," Janice Woods Windle, Longstreet Press, 2001, 361 pages; (1) "Six Years with the Texas Rangers," James B. Gillet, Copano Bay Press, 2012, 236 pages; (1) "The Texicans," Nina Vida, Soho Press, 2006, 295 pages; (1) "An Informal History of Texas," Frank X. Tolbert, Harper and Brothers Publishers, 1961, 275 pages; (1) "The Story of the Frontier," Everett Dick, Tudor Publishing Company, 574 pages, loose spine, loss to book jacket; largest: approx 9.5"h, 6.5"w, 1.25"d, 13.75lbs total
• KENNETH RILEY, VICTORIO oil on canvas 32
  KENNETH RILEY, VICTORIO oil on canvas 32 x 40 in Victorio (Bidu-ya, Beduiat; ca. 1825-October 14, 1880) The warrior Victorio, one of the greatest Apache military strategists of all time.Born in New Mexico around 1809, Victorio grew up during a period of intense hostility between the native Apache Native Americans of the southwest and encroaching Mexican and American settlers. Determined to resist the loss of his homeland, Victorio began leading his small band of warriors on a long series of devastating raids against Mexican and American settlers and their communities in the 1850s.After more than a decade of evading the best efforts of the Mexican and American armies to capture him, the U.S. Army managed to convince Victorio to accept resettlement of his people on an inhospitable patch of sunburnt land near San Carlos, Arizona, in 1869. But with summer temperatures reaching 110 degrees on the San Carlos reservation (an area also known as Hell's Forty Acres) and farming nearly impossible, Victorio decided the new reservation was unacceptable and moved his followers to more pleasant grounds at Ojo Caliente (Warm Springs), thus again becoming an outlaw in the eyes of the United States. In 1878, the U.S. Army attempted to force the Apaches back to the San Carlos reservation, but Victorio eluded capture, disappearing into the desert with 150 braves. Surviving by raiding the towns and farms of Chihuahua, Mexico, Victorio and his men began to ambush U.S. troops as well as Mexican or American sheepherders.In 1880, a combined force of U.S. and Mexican troops finally succeeded in tracking down Apache and his warriors, surrounding them in the Tres Castillos Mountains of Mexico, just south of El Paso, Texas. Having sent the American troops away, the Mexican soldiers proceeded to kill all but 17 of the trapped Apaches, though the exact manner of Victorio's death remains unclear. Some claimed a Native American scout employed by the Mexican army killed the famous warrior. But according to the Apache, Victorio took his own life rather than surrender to the Mexicans. Regardless of how it happened, Victorio's death made him a martyr to the Apache people and strengthened the resolve of other warriors to continue the fight. The last of the great Apache warriors, Geronimo, would not surrender until 1886.
• (LOT OF 33) BASEBALL GROUP (lot of 33)
  (LOT OF 33) BASEBALL GROUP (lot of 33) Baseball group, bearing signatures including Giovanni Gonzales All Star Pitcher, Kurt Suzuki, Cal Ripkin Jr. 1995; 1974 A World Series; Rajai Davis; Ryne Sandber, Ron Santo; Frank Thomas; Jim Joyce, Umpire; a 2002 and 2006 signed ball; Alex Rodriguez; 1992 As; Landon Powell; 1988; Matt Huly; Terry Stenback, Scott Brosius, Gajson Giambi, Mark McGuire, Geronimo Berroa, Ernie Young, A's 1996; 1991; Nomar Garcia Parra; Eric Sogaard; Lou iniella; Rickey Henderson; Bruce Fromming, Umpire; a practice ball; Pedro Martinez; Roberto Almara, Raphael Palmerio; Lew Wolff A's; etc. Provenance: Louise Irvin Jones Estate, the most senior ticket holder at The Colosseum, since 1973
• ROOKWOOD POTTERY, NATIVE AMERICAN PORTRAIT
  ROOKWOOD POTTERY, NATIVE AMERICAN PORTRAIT MUG OF GERONIMO Rookwood Pottery, Native American portrait mug of Geronimo Painted by Artus Van Briggle, circa 1900, standard glaze, impressed flame mark over 837 and incised artist's initials, 5"h. Time: March 2022 Place: CLARS AUCTION GALLERY, Oakland, CA, USA Sold for: $600.00 Imported successfully Replaced successfully Error: unknown error
• PHOTOGRAPH OF NATIVE AMERICAN GERONIMOBlack
  PHOTOGRAPH OF NATIVE AMERICAN GERONIMOBlack and white photograph on canvas of Geronimo. An open edition, gallery wrapped photograph of Geronimo on canvas. The borders of the gallery wrap are painted and finished in black. Issued: 20th c. Dimensions: 15.5"H x 15.5"L Country of Origin: United States Condition: Good
• PHOTOGRAPH OF NATIVE AMERICAN GERONIMOBlack
  PHOTOGRAPH OF NATIVE AMERICAN GERONIMOBlack and white photograph on canvas of Geronimo. An open edition, gallery wrapped photograph of Geronimo on canvas. The borders of the gallery wrap are painted and finished in black. Issued: 20th c. Dimensions: 15"H x 11.5"L x 1.5"D Country of Origin: United States Condition: Good
• 7 PHOTOGRAPHS OF NATIVE AMERICAN INDIAN
  7 PHOTOGRAPHS OF NATIVE AMERICAN INDIAN GERONIMOA custom frame of 7 antique photographic reproductions. Framed in a soft white matting in walnut wood. Issued: 20th c. Dimensions: 26"H x 19.5"L, framed Country of Origin: United States Condition: Very Good
• NATIVE AMERICAN TRIBAL HISTORICAL PHOTOGRAPHGeronimo
  NATIVE AMERICAN TRIBAL HISTORICAL PHOTOGRAPHGeronimo with Feathered Headdress, at Fort Marion. Publicly displayed during the 2009 "Geronimo Remembered" exhibition, Tucson, AZ, USA. Presented in a black wooden frame bordered with a decorative matte, sepia toned. Certificate of Authenticity. 5.75"H x 4"W, pictured. Issued: c. 1890 Dimensions: 14.75"H x 13"W, framed Country of Origin: United States Condition: Age related wear to frame
• 3 LG ROYAL DOULTON CHARACTER JUGS, THE
  3 LG ROYAL DOULTON CHARACTER JUGS, THE WILD WESTGeronimo, Wild Bill Hickock, Annie Oakley. Artist: Stanley James Taylor, Michael Adderly Issued: 20th c. Dimensions: 6"H, tallest Manufacturer: Royal Doulton Country of Origin: England Condition: Overall good
• GERONIMO D6733 - ODD SIZE - ROYAL DOULTON
  GERONIMO D6733 - ODD SIZE - ROYAL DOULTON CHARACTER JUG...Royal Doulton Character Jug, Geronimo D6733 (black, red and white coloration). Designed by Stanley J. Taylor. Series: The Wild West Collection, issued 1985 - 1989. Size: 5.5"H (odd)Geronimo (1829 - 1909) was the last leader of the Apache Indians while they were still independent of American Colonial rule. Although he fought many battles to protect he freedom of his people, in 1886 he surrendered to General Nelson Miles, and Apache territory became the state of Arizona. - Wild West Manufacturer: Royal Doulton Country of Origin: England
• VINTAGE MARX BEST OF THE WEST GERONIMO
  VINTAGE MARX BEST OF THE WEST GERONIMO WITH 3 HORSESWith 38 ceremonial trappings and fit on clothing. Includes Thunderbolt, Storm Cloud Pinto and Comanche horse. Issued: Mid century Dimensions: 13"W, largest Manufacturer: Marx Country of Origin: United States
• GERONIMO D6733 - ODD SIZE - ROYAL DOULTON
  GERONIMO D6733 - ODD SIZE - ROYAL DOULTON CHARACTER JUG...Part of The Wild West Collection. Royal Doulton backstamp. Artist: Stanley J. Taylor Issued: 1985-1989 Dimensions: 5.5"H Manufacturer: Royal Doulton Country of Origin: England
• GERONIMO D6733 - ODD - ROYAL DOULTON
  GERONIMO D6733 - ODD - ROYAL DOULTON CHARACTER JUGThe Wild West Collection. Black, red and white coloration. Doulton backstamp. Issued: 1985-1989 Dimensions: 5.75"H Manufacturer: Royal Doulton Country of Origin: England
• GERONIMO D6733 - ODD SIZE - ROYAL DOULTON
  GERONIMO D6733 - ODD SIZE - ROYAL DOULTON CHARACTER JUG...Black, red and white coloration. Condition: Good
• GERONIMO D6733 - MID - ROYAL DOULTON
  GERONIMO D6733 - MID - ROYAL DOULTON CHARACTER JUGBlack, red and white coloration. Geronimo (1829 - 1909) was the last leader of the Apache Indians while they were still independent of American Colonial rule. Although he fought many battles to protect he freedom of his people, in 1886 he surrendered to General Nelson Miles, and Apache territory became the state of Arizona. Series: The Wild West Collection. Royal Doulton backstamp. Artist: Stanley J. Taylor Issued: 1985 - 1989 Dimensions: 5.5"H Manufacturer: Royal Doulton Country of Origin: England Condition: Good.
• FRAMED GROUP FIVE NATIVE AMERICAN PHOTOGRAPHSin
  FRAMED GROUP FIVE NATIVE AMERICAN PHOTOGRAPHSin an oak Arts & Crafts style frame. Red Cloud, Sitting Bull, Geronimo, Little Big Man, Chief Joseph. Not examined out of frame. Frame size: 21 1/4" high, 47 1/2" wide. Property of a Brooklyn Heights NY collector. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• 2 LOUIS VUITTON CROSSBODY BAGSLouis
  2 LOUIS VUITTON CROSSBODY BAGSLouis Vuitton, France. Group of two waist, shoulder, or crossbody bags. Each with gold tone hardware and zipper enclosures. Including: One Geronimo Damier Ebene shoulder bag with brown and tobacco coated canvas in a checkerboard pattern with a dark brown leather strap. Marked "Louis Vuitton Paris" along one of the squares along the exterior. With the serial number UB2196. Made in Spain, 2016. One Ebene monogram coated canvas Bumbag with vachetta leather trim. Marked "Louis Vuitton Paris" along a tag along the exterior. Serial number MI2158. Made in France, 2018. Small; height: 12 x width: 4 3/4 in x depth: 2 1/2 in. Big; height: 5 in x width: 13 in x depth: 6 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• MALCOLM MYERS "GERONIMO" LITHOGRAPHMalcolm
  MALCOLM MYERS "GERONIMO" LITHOGRAPHMalcolm Haynie Myers (American, 1917-2002). Lithograph on paper with hand coloring titled "Geronimo," depicting a battle. Pencil signed along the lower center. Provenance: Distinguished Corporate Collection, Minnesota. Sight; height: 19 1/2 in x width: 28 in. Framed; height: 26 3/4 in x width: 35 1/2 in. Condition: The item is in good condition with no visible tears, creases, or losses. The paper seems slightly toned; however, the color is bold and bright. No visible foxing or soiling. When inspected under UV light, there is no visible sign of restoration. The artwork is not inspected out of frame; framed under plexiglass. Wear to the frame.
• GROUP OF 2 LOUIS VUITTON CROSSBODY BAGSLouis
  GROUP OF 2 LOUIS VUITTON CROSSBODY BAGSLouis Vuitton, France. Group of two waist, shoulder, or crossbody bags. Each with gold tone hardware and zipper enclosures. Including: One Geronimo Damier Ebene shoulder bag with brown and tobacco coated canvas in a checkerboard pattern with a dark brown leather strap. Marked "Louis Vuitton Paris" along one of the squares along the exterior. With the serial number UB2196. Made in Spain, 2016. One Ebene monogram coated canvas Bumbag with vachetta leather trim. Marked "Louis Vuitton Paris" along a tag along the exterior. Serial number MI2158. Made in France, 2018. Small; height: 12 x width: 4 3/4 in x depth: 2 1/2 in. Big; height: 5 in x width: 13 in x depth: 6 in. Condition: The bags are in excellent condition. The Geronimo Damier Ebene shoulder bag seems unused; there are no visible scuffs or any wear throughout the bag. The Ebene monogram coated canvas Bumbag is hardly used; there is an area with a minute scuff along the front right hand side of the bag.
• W. A. WHITE(Probably American, 1847-1916) Five
  W. A. WHITE(Probably American, 1847-1916) Five Pueblo Photographs; San Geronimo Feast Day Foot Race, with artist stamp inÿimage lower left "W. A. White Artist Raton New Mexico", together with four other San Geronimo Feast Day images, unsigned, all vintage albumen prints, 6 x 8 in.; matching incised walnut frames, each 11 x 13 in., Provenance: Private Collection, Camden, South Carolina; Note: Little is known about W. A. White, although he is known to have opened a studio in Raton, New Mexico in 1881. His photographs are relatively rare to the market.ÿÿ Condition: mounted to original backing card, prints with some surface wear, smallÿ unretouched flaws in negatives, two with fading; framesÿin good condition
• VINTAGE COLLECTORS FOLDING POCKET KNIVES
  VINTAGE COLLECTORS FOLDING POCKET KNIVES (4)Presented in this lot are four (4) Vintage Collectors Folding Pocket Knives, including two (2) "Dream Catcher" Folding Pocket Knives featuring one with a depiction of Charles Russell's painting, "The Buffalo Hunt" on the handle, the other folding knife handle featuring a depiction from the "Founding Fathers" commemorative collection of the famous Native American Warriors Sitting Bull, Chief Joseph, Crazy Horse, and, Geronimo. A third Folding Pocket Knife's handle depicts an eagle in flight over a snowy mountain range, and lastly is a Folding Pocket Knife from American Mint with an inlaid picture of General John "Black Jack" Pershing on the handle. The blade is inscribed "John J. Pershing General of the Armies" with the Blackjack logo above it. The American Mint stamp in gold colour is on the opposite side. The first three knives have their own individual display/presentation boxes. The "Dream Catcher" knives are 7"L fully open, with 3" stainless spear point blades. Eagle knife is 7.5"L fully open, with a 3.5" stainless clip point blade and the General Pershing knife is 7.75"L fully open, with a 3.5" stainless clip point blade. These knives are in good overall condition, no obvious marring observed.
• TWO (2) AMERICANA BOOKS OF THE OLD WESTOffered
  TWO (2) AMERICANA BOOKS OF THE OLD WESTOffered in this lot are two (2) Books of the Old West, "On The Border With Crook" by John C. Bourke and "Owyhee Cattlemen 1878 1978 100 Years In The Saddle" by Mildretta Adams. "On the Border with Crook" has long been regarded as one of the best firsthand accounts of frontier army life. More than simply an account of General Crook, Bourke writes with unparalleled detail of the landscape of the Southwest, impressions on the forts and communities in Arizona Territory, and the hardships of frontier service, in addition to the exciting and honest accounts of combat. What is most impressive about Bourke’s work is the equal time he gives to both soldier and Native American alike, making "On the Border with Crook" the essential book for those interested in the history of the American frontier. Originally written in 1891, after serving over fifteen years (1870-1886) with General George Crook, Bourke sat down to write this memoir of his hero. He brings to life the frontier, the plains, and the Southwest as well as Native American heroes Sitting Bull, Crazy Horse, and Geronimo. Far more than a first-hand account of Crook's campaigns during the Plains Indian wars and in the Southwest. Alert, curious, and perceptive, Bourke brings to life the whole frontier scene. In crisp descriptions and telling anecdotes he recreates the events and landscapes through which he moved; he sketches sharp action-pictures not only of Crook and his fellow cavalrymen. Perhaps most important, Bourke shows us how General Crook was able to achieve his most remarkable victory—how this man of war won and deserved the trust of the tribes he had subjugated. "Owyhee Cattlemen 1878 1978 100 Years In The Saddle" chronicles the first hundred years of existence for the Owyhee Cattlemen's Association, the oldest such group in Idaho and one of the oldest in the entire United States. Formed in 1878 to protect Owyhee Mountain ranchers against warring Bannock Indians. This book also chronicles the first one hundred years of settlers to the area initially arriving due to the mining boom of the latter 19th century that dominated Idaho Territory. Silver City and Ruby City developed as boom towns. At its height in the 1880s, Owyhee County was among the most populous places in Idaho. Today it is among the least populous, at 1.4 persons per square mile. These two books are in good overall condition, "On The Border..." has a stamped gold gilt illustrated hardcover and gold gilt top edge, bottom edge and fore edge pages and measures 5.75"W x 8.5"L. "Owyhee Cattlemen..." measures 8.5"W x 11.5"L
• PAT OWENS(Kansas, 20th/21st century) Duets,
  PAT OWENS(Kansas, 20th/21st century) Duets, installation of 30 plate glass panels featuring famous individuals, flame worked soda-lime glass, fired-on glass enamels, painted and patinated steel and copper hardware, each 7 x 7 x 5 in., overall 41 x 41 x 5 in. Provenance: Morgan Contemporary Glass Gallery, Pittsburgh, Pennsylvania, purchased in 2007 for $27,000 (accompanied by the original receipt, a personal note from the artist and other documents); Jerry and Deena Kaplan Collection of Modern Art and Crafts Note: Pat Owens studied at Penland School of Crafts, Penland, North Carolina. Her instruction there included hot glass art under instructors Curtiss Brock, Tom Farbanish, and Richard Ritter. She also studied flameworking under Fred Birkhill, Shane Fero, and Paul Stankard. She was a 1995 Fellow of the Creative Glass Center of America, and has been an instructor in glass flameworking at the Pilchuck Glass School in Washington.Each is and independent work with the titles: Mohammed Ali - Fred Astaire, The Strength and Beauty of Grace; Lucille Ball - Buddha, The balm of Laughter vs. Inner Peace; Charlie Chaplin and Cleopatra, Commonality vs. Exotica; Dali and Disney, Making surreal art vs. making the surreal "real; Ben Franklin and Henry Ford, The Expansive Mind vs. Insular Reaction; Gandhi and Geronimo, Forms of Resistance; Bob Hope and Alfred Hitchcock, Image and the Image Maker; Ignatius Loyola and Ivan the Great, Spiritual and Worldly warriors; Thomas Jefferson and Jessie James, The rustic ideal vs rustic reality; Helen Keller and M. L. King, Struggles against darkness; Lenin and Lincoln, Leadership from applied power vs. human understanding; Mother Teresa and Groucho Marx, Faith and Cynicism; Newton and Napoleon, Manifestations of Genius; Oedipus Rex and Oedipus Regina, Victims of Hubris and Fate; Pythagoras and Picasso, The rigors vs. fluidity of line and form; Don Quixote and Rosinante, Artist and Muse; Babe Ruth and Eleanor Roosevelt, Popular Idol vs. Public Ideal; William Shakespear and Homer Simpson, Cultural Languages; Unknown and Unheralded, Almost All of Us; Valentino and Queen Victoria, Passion vs. Propriety; John Wayne and Oscar Wilde, Views of Masculinity; Xanthippe and ?, The isolation of railing against reality; Yoritomo and Yeats-The Longevity of Kingdoms, real and imagined; Frank Zappa and Emile Zola -Sound and Posture vs. Reasoned Consideration; three untitled. See: Duets (patowensglass.com) Condition: good condition
• 17TH CENTURY HAND WRITTEN SPANISH DOCUMENTdated
  17TH CENTURY HAND WRITTEN SPANISH DOCUMENTdated March 17, 1609, hand written document in Spanish concerning mayorazgo ( majorat ) involving D. Geronimo Li¤ n de Z£¤iga (of Castillo de Garcimu¤oz) and Dona Ines Carrillo de Alarcon, bound in red velvet cloth with embroidered coat of arms with silver thread detailing, two paintings on vellum leaf of Saint Jerome and coat of arms with decorative border; with an associated intricate German paper cutting of the Virgin Mary Condition: wear to extremities, paper corrosion throughout due to ink, many pages with separations along ink line borders (many reinforced), some tears and small losses to paper, light staining throughout, paintings with heavy flaking and losses, binding popped but intact, some losses and fraying to edges
• ABRAHAM ORTELIUS - 16TH CENTURY MAP
  ABRAHAM ORTELIUS - 16TH CENTURY MAP OF FLORIDA AND CENT...Abraham Ortelius (1527-1598), La Florida; Guastecan; Peruviae Auriferae Regionis Typus ; Antwerp, circa 1584, Florida author "Hieron. Chaves" (Geronimo de Chaves, 1523-1574 Royal Cosmographer to Philip II of Spain), engraving on laid paper with hand coloring, sight 15 x 20 in.; gilt wood frame, 22-1/2 x 27-1/2 in. Condition: hinged in on mat, some staining at right, toning along join line, some tears and restorations/reinforcements at lower edge near join line; frame with light wear
• PAUL GRIMM(California, 1891-1974) Geronimo,
  PAUL GRIMM(California, 1891-1974) Geronimo, 1961, signed lower right "Paul Grimm", also signed canvas verso, oil on canvas, 24 x 20 in.; fine reproduction carved gilt wood frame, 31-3/4 x 27-3/4 in. Condition: yellowed varnish; frame with some wear at corners and edges
• SIGNED LEONARD BASKIN MONOTYPE - "GERONIMO"
  SIGNED LEONARD BASKIN MONOTYPE - "GERONIMO" (1992)Leonard Baskin (American, 1922-2000). "Geronimo" monotype, 1992. Artist's signature, "monotype touched" and title handwritten in pencil beneath image. An impressive hand-colored monotype by legendary artist Leonard Baskin depicting a bust-length portrait of the famous Geronimo - a respected leader, medicine man, and shaman of the Apache people. Leonard Baskin created two series of lithographs that depict 19th century Native Americans, including illustrious individuals such as Crazy Horse, Red Cloud, and Geronimo. His poignant portraits convey these sitters' noble qualities as well as the despair and loss experienced by these people. This project began when Leonard Baskin was asked to illustrate a handbook for Custer National Park (now called Little Big-Horn National Park). Since Baskin actually detested Custer, he instead opted to create portraits of Native American chiefs and leaders that conveyed their bravery and intelligence like this example. Size of sight view: 23.875" L x 17.875" W (60.6 cm x 45.4 cm) Size of frame: 31.5" L x 25.5" W (80 cm x 64.8 cm) Leonard Baskin was a creative force for more than 5 decades and worked in a variety of media; however, he is best known for sizeable works on paper like this example. "Geronimo" is rendered in Baskin's characteristically expressive manner and grand scale. It is among Baskin's figurative prints that rivaled the works of Abstract Expressionists during his day, set in a custom frame and hand signed. Baskin was a 20th century "Renaissance Man" - a highly respected sculptor, printmaker, writer, and watercolorist. His prints included mythological, classical, and biblical scenes as well as portraits and floral studies. Baskin studied at Yale University from 1941 to 1943 and received his B.A. at the New School for Social Research in 1949. He also founded Gehenna Press which specialized in fine book production and taught printmaking and sculpture at Smith College in Northampton, Massachusetts as well as Hampshire College in Amherst, Massachusetts from 1953 until 1974. Baskin's artworks are in the permanent collections of the Metropolitan Museum of Art, The Museum of Modern Art, the Vatican Museum, the Smithsonian Institute, the Tate Gallery in London, and other elite institutions. "Angel of Death" has been collected by the Smithsonian American Art Museum, the Amon Carter Museum of American Art, and the Philadelphia Museum of Art among others (accession numbers 1971.300, 1971.25, and 1961-157-4 respectively). His noted public sculptural commissions include pieces for the Franklin Delano Roosevelt Memorial as well as the Holocaust Memorial in Ann Arbor, Michigan. Baskin also received many prestigious honors, such as a Guggenheim Fellowship, the Gold Medal of the National Academy of Arts and Letters, and the Jewish Cultural Achievement Award. He was also honored with numerous retrospective exhibitions at institutions including the Smithsonian Museum, the Albertina Museum, and the Library of Congress. Provenance: ex-private Bishop Family Trust collection, the Trust of the late Bill Bishop, a noted antiquarian with shops in Scottsdale, Arizona and Allenspark, Colorado, USA, acquired before 2010 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #173143 Condition: Artist's signature, "monotype touched" and title are handwritten in pencil beneath the image. This striking monotype with beautiful hand coloring is set in a custom frame behind glass and has not been examined outside the frame but appears to be in excellent condition. Normal tears to gallery paper on verso that do not impact the image. Fitted with suspension wire and ready to display. Accompanied by tag listing price at $7500.
• SIGNED SUSAN KLIEWER BRONZE "GERONIMO"
  SIGNED SUSAN KLIEWER BRONZE "GERONIMO" (2005)Susan Kliewer (American, b. 1940). "Geronimo" bronze, 2005. Edition 25 of 45. Signed and numbered on back of terrain below the horse and rider. A magnificent limited edition cast bronze sculpture of Geronimo, the legendary Apache leader, by Susan Kliewer, one of the Southwest's most acclaimed sculptors. Kliewer presents Geronimo on horseback, dynamically turning backward to gaze behind him while holding the reins of his galloping steed in one hand and an intimidating rifle in the other. The finely modeled and colorful patinated details of Geronimo's clothing and accoutrements, the horse's mane, coat, and bridle as well as the flowering cactus and desert plants are quite impressive. Kliewer also meticulously rendered with craggy terrain below with prickly cactus and uneven ground. What's more, the statue is mounted on a tiered wooden pedestal that rotates so that one may admire it from all angles. Size: 15.5" W x 17.25" H (39.4 cm x 43.8 cm); 19" H (48.3 cm) on included custom stand. This piece was acquired from the Mountain Trails Gallery in Sedona and was accompanied by the following contextual description, "A famed Apache Medicine Man, warrior, seer, and spiritual leader, Geronimo has become an American legend. He was single-minded in his determination to preserve his people's land and culture through any means necessary." A native of Southern California, Susan Kliewer has lived in Arizona for 40 years, with 5 of those years at the Marble Canyon Trading Post adjacent to the Navajo Reservation in Northern Arizona. Kliewer started painting when she was 10 years old and took up sculpture in 1987 after working at a foundry for 10 years. In 1993, Kliewer won a competition to create a monument of Sedona Schnebly. In addition, she created a life-size fountain that portrays the Sinagua people as well as a fountain of a Hopi Water Maiden in Sedona. In her words, "My work aims to show the common thread that underlies all human experience, and which, I hope, brings us to a greater understanding between peoples." Provenance: Private Albuquerque, New Mexico, USA collection; ex-Hugh K. Terrell estate, representative Priscilla T. Bisher; purchased at Mountain Trails Galleries, Sedona, Arizona, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #175248 Condition: Signed and numbered on back of terrain below the horse and rider. Rifle and end of rein are a tad bent, otherwise excellent. Mounted on a tiered wooden pedestal that rotates so that one may admire the sculpture from all angles. Wooden base fit with brass plaque engraved with artist's name and title of piece.
• GERONIMO VILLAPANDO POTTERY VASE FOR
  GERONIMO VILLAPANDO POTTERY VASE FOR MATA ORTIZ: Approximately 4.5'' in height, signed on the base. CONDITION: Several minor abrasions, only apparent by very close observation.
• BERT GEER PHILLIPS, AMERICAN 1868-1956,
  BERT GEER PHILLIPS, AMERICAN 1868-1956, FOOT RACE AT TAOS - SAN GERONIMO DAY, OIL ON BOARD, 10 X 10 IN., FRAME: 14 1/2 X 14 1/2 IN.BERT GEER PHILLIPS, (American, 1868-1956) Foot Race at Taos - San Geronimo Day, oil on board signed Phillips Taos N.M. lower left oil on board Dimensions: 10 x 10 in., frame: 14 1/2 x 14 1/2 in. Provenance: Zaplin-Lampert Gallery, Santa Fe, New Mexico (label verso); The Collection of a Boston Family. Condition: Overall good condition, clear under UV examination Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• EDWARD S. CURTIS, PLATE COVER GROUPING
  EDWARD S. CURTIS, PLATE COVER GROUPING + PHOTOGRAVURESEdward S. Curtis, (1868 - 1952) Plate Cover Grouping + Photogravures, plate cover envelope + photogravure on Japanese tissue/vellum Geronimo, 1973: contemporary plate cover envelope Kaloqutsuis-Qaqyuhl, 1914: plate cover envelope Kolaqutsuis-Qaqyuhl, 1914: photogravure on Japanese tissue mounted to Holland Van Gelder A Hopi Woman, 1905: plate cover envelope A Hope Woman, 1905: photogravure on Japanese vellum Dressing the Flute Maiden, 1920: plate cover envelope Tsetsanu-Tewa, 1920: plate cover envelope Assiniboin Camp near the Rocky Mountains, 1927: plate cover envelope Shongopovi, 1920: plate cover envelope Shongopovi, 1920: photogravure on Japanese vellum plate cover envelope + photogravure on Japanese tissue/vellum Dimensions: dimensions vary from 15 3/4 x 10 1/2 in. (40.01 x 26.67 cm.) to 7 1/2 x 5 3/4 in. (19.05 x 14.61 cm.) Provenance: Edward Curtis Studio, Seattle Private Collection(s) The Christopher G. Cardozo Collection
• (16) BOOKS: TEXAS & SOUTHWEST HISTORY,
  (16) BOOKS: TEXAS & SOUTHWEST HISTORY, TEXANA(lot of 16) Books, including: (1) "Historic Texas: a Photographic Portrait," Texas Historical Foundation, Texas Monthly Press, 1986, 327 pages, (1) "War Scare on the Rio Grande: Robert Runyon's Photographs of the Border Conflict, 1913-1916," Frank N. Samponaro, Paul J. Vanderwood, Texas State Historical Association, Wind River Press, 1992, 135 pages, (1) "San Antonio Legacy," Donald E. Everett, illustrated by Jose Cisneros, Trinity University Press, 1979, 121 pages, (1) "Jefferson: Riverport to the Southwest," Fred Tarpley, Eakin Press, first edition, second printing, 1983, 392 pages, (1) "Texas: a Novel," James Michener, Random House, first edition, 1985, 1096 pages, (2 volumes) "Great River: The Rio Grande in North American History," Paul Horgan, Rinehart & Company Inc., 1954, (1) "The News from Brownsville: Helen Chapman's Letters from the Texas Military Frontier, 1848-1852," edited by Caleb Coker, Texas State Historical Association, 1992, 410 pages, (1) "Will's War: a Novel," Janice Woods Windle, Longstreet Press, 2001, 373 pages, (1) "Dance Halls and Last Calls: a History of Texas Country Music," Geronimo Trevino III, Republic of Texas Press, 2002, 258 pages, (1) "Speaking Ill of the Dead: Jerks in Texas History," Donna Ingham, Globe Pequot Press Inc., 2012, 215 pages, (1) "Buffalo Days: Stories from J. Wright Mooar As Told to James Winford Hunt," edited by Robert F. Pace, illustrated by Granville Bruce, State House Press, 2005, 126 pages, (1) "The Houston Story," Ed Bartholomew, The Frontier Press of Texas, 1951, 240 pages, (1) "Blessed Assurance: at Home with the Bomb in Amarillo, Texas," A.G. Mojtabai, Houghton Mifflin Company, 1986, 255 pages, (1) "The Evolution of a State or Recollections of Old Texas Days," Noah Smithwick, illustrated by Charles Shaw, University of Texas Press, 1984, 264 pages, (1) "The Kings of Big Spring: God, Oil, and One Family's Search for the American Dream," Bryan Mealer, Flatiron Books, 2018, 369 pages; largest book: approx 9.25"h, 12.25"w, 26lbs total
• 3) ROYAL DOULTON NATIVE AMERICAN TOBY
  3) ROYAL DOULTON NATIVE AMERICAN TOBY JUGS & CHIEF(lot of 3) English Royal Doulton china mugs and figure, 20th c., including: (1) "The Chief" figure, numbered HN 2892, approx 6.5"h, 4"w, 4.5"d; (2) toby mugs, comprising (one) "Geronimo", from the Wild West Collection, limited edition 1984, numbered D6733, (one) "North American Indian", copr 1966, numbered D6611; largest: approx 7"h, 7"w, 4"d; 4lbs total
• LUNDA HOYLE GILL (CA, 1928-2003), FOUR
  LUNDA HOYLE GILL (CA, 1928-2003), FOUR PORTRAIT ETCHINGS To include three Native American portrait etchings titled Indian Chief (Blackfoot), Geronimo's Grandson, and a third pair of marriage portraits printed on a single sheet, each pencil signed; to also include an offset lithograph titled Gabra Man, pencil signed, titled, and inscribed, matted and framed. Accompanying lot is group of artist catalogues.
• ALLAN HOUSER, AMERICAN (1914-1994),
  ALLAN HOUSER, AMERICAN (1914-1994), HEAD OF A WOMAN, 1993, BRONZE, 14" H X 6 1/2" WAllan Houser, American, (1914-1994) Head of a Woman, 1993, bronze Signed, titled, dated, and numbered 7/20. Biography from the Archives of Askart: Born on the family farm near in Apache, Oklahoma, Allan Houser became one of the Southwest's most famous and financially successful twentieth-century sculptors, known for his abstract Indian subjects. In his book, Masters of American Sculptors, Donald Martin Reynolds referred to Houser, who was Chiricahua Apache, as the "patriarch of American Indian sculptors. . . .Through his prodigious output and a generation of students and followers, Houser has been a formidable force in shaping contemporary Indian sculpture". (205). In 1993, the Institute of American Indian Arts in Santa Fe, New Mexico, opened a sculpture garden in his honor. With close ties to Arizona, Houser was the grandson of the chief who served as Geronimo's interpreter and a great nephew of the Apache Chief, Geronimo. Houser had the Apache name of "Haozous", translated in English as 'The Sound of Pulling Roots'. At age 15, in 1929, he left high school to help his father run the farm, but five years later enrolled in the Santa Fe Indian Art School founded by Dorothy Dunn. He said because it was free, it was the only art school an Indian could afford. His family were farmers, and he could only go to school when he wasn't needed at home for farm labor. However, his talent was soon recognized, and the first year of his enrollment he was named the school's outstanding artist. He also studied mural painting with Olaf Nordmark at Fort Sill, Oklahoma, and he began his art career as a muralist and painter and then focused on stone and wood carving and sculpting in steel and bronze. He worked in Santa Fe from 1936 to 1938, the only Indian specializing in sculpture, and he also painted murals in Washington D.C for the Department of the Interior; Fort Sill, Arkansas; and Riverside, California. As a painter, he did the official portrait of Stuart Udall, Secretary of the Interior and Apache Chief Geronimo for the Arizona State Capitol Building in Phoenix. During World War II, he was a factory hand and ditch digger in California. In 1948, he won a scholarship to the Haskell Institute in Kansas, followed by a Guggenheim Fellowship. There he did his first large sculpture, Comrades in Mourning. Carved from marble, it is eight-feet tall and weighs four and a half tons and remains at the Institute. From 1951 to 1975, he taught art in Indian Schools, and also served as instructor at the Institute of American Arts. From 1962, he lived in Santa Fe from where his work was collected all over the United States. The Phoenician Hotel in Scottsdale, Arizona, has one of the largest collections of his sculpture. Source: Peggy and Harold Samuels, Contemporary Western Artists and The Illustrated Biographical Encyclopedia of Artists of the American West Donald Martin Reynolds, Masters of American Sculpture Patrick Lester, The Biographical Directory of Native American Painters bronze Dimensions: 14" H x 6 1/2" W